44. A phenomenon which is very common in mediumship is the aptitude of certain mediums to write in a language which is unknown to them, – to speak or write upon subjects outside their knowledge. It is not rare to see those who write rapidly without having learned to write; others still who become poets, without ever having before composed a line of poetry; others sketch, paint, sculpt, compose music, play on an instrument, without having previously known anything of either accomplishment. Very frequently the writing-medium reproduces the writing and signature of the spirits communicating by him, although he had never known them in Earth-life.
This phenomenon is not more wonderful than to see a child write when someone conducts his hand. One can thus perform all that one wishes. Any person could write in any language whatever by dictating the words letter by letter. It is the same with mediumship. Mediums are only passive instruments in the spirit’s hands. But if the medium possesses a knowledge of the mechanism of it, if the expressions are familiar to him, if he has, in short, in his brain the elements of that which the spirit desires him to execute, he is in the position of the man who knows how to read and write rapidly. The work is easier and more rapid. The spirit has only to transmit the thought that his interpreter reproduces by means at his disposal.
The aptitude of a medium in things which are strange to him is often caused by the knowledge he has obtained in another existence, of which his spirit has preserved the intuition. If he has been a poet or a musician, for example, his mind will the more readily grasp the poetical and musical ideas which they wish to reproduce. The language of which he is now ignorant may have been familiar to him in another existence; hence he has a greater aptitude as a writing-medium in this language. *
* The aptitude of certain persons for languages which they have never learned is caused by an intuitive remembrance of that which they have learned in another existence. The example of the poet Mery, reported in the “Revue Spirite” of Nov., 1864, p. 328, is a proof of it. It is evident, that, if Mr. Mery had been a medium in his youth, he would have written in Latin as easily as in French, and would have been called a prodigy.